Once again there are three diverse stories that continue to drive us to what promises to be a massive conclusion in which Liv may only just get away with her life.
The first story “The Mystery of Sector 13” by Robert Whitelock continues to build on the role the Sons of Kaldor are going to play in the future and for Liv’s sister, Tula, her eyes further opening to the worrying happenings inside the Company. Whitelock is better known for his acting talents within Big Finish but with this script he is able to create a lot of tension. He creates a clever way to knock the confidence out of Liv and Nicola Walker seems to relish in flexing her acting muscles. His use of the Robots is both heroic but also leaves us feeling nervous.
“Circuit Breaker” by Guy Adams will probably be the fan favourite for those who love the Doctor Who episode this whole world is based on, The Robots of Death. Liv and Tula are not in this episode and the central stage is given to Poul and Toos. David Collings and Pamela Salem reprise their roles brilliantly as they did in one episode from the previous box set. Poul is called in by Toos to investigate a murder and this is going to play out a lot closer to home than either one will want. Guy Adams tells the story in a brilliant way overlaying information and returning back to scenes time and time again, revealing more information each time. And the conclusion is quite shocking and unexpected. At this time we don’t know whether David Collings has recorded any further stories. If he hasn’t this is both a great story to finish with but will be forever frustrating to not see where this was going to lead.
The final story in the set is “A Matter of Conscience” by Lisa McMullin. This is the most grand and epic story in the set involving huge set pieces, crowds and explosions. Lisa has become a real blessing to the writing team of Big Finish having written a lot of fine stories in a short period of time. In this one she writes engagingly about politics, terrorism and misinformation. She also gets to reintroduce a character from the television show that wasn’t expected.
It is great to have Louise Jameson given directorial duties again. A sensational actress, Louise is able to turn her own abilities to help the cast extract the most from their lines. The bounce that the characters have off each other and the enjoyment that can be felt is no doubt due to the talents of Louise. This is all the more amazing considering all this was achieved during lockdown. It is great to have a production with female leads, a female director and at least one story by a woman but telling a story that is totally accessible to any gender. There are strong relationships and emotion throughout the story but more than enough bangs and flashes to keep the most die hard people entertained.
The whole cast are great but the two leads, Nicola Walker and Clare Rushbrook, continue to hold the power in every story. You would swear these two women truly are sisters by the way they interact with each other. Nicola’s dry humour and Clare’s never ending patience and trust contrast beautifully together. Two great actresses playing two great women.
And finally, the Robots of the title. Each time the Robots speak it creates memories of one of the best stories the fourth Doctor ever had. And throughout the stories they play slightly different roles and are ever more confounding. Are they basic helpers? Are they moral beings? Are they growing in understanding and knowledge? Are they helper or destroyer? Each set of stories creates more questions and builds anticipation of how this is all going to end. Though when it does end, I think that will be the tragedy.
You can purchase The Robots Volume Three directly from the Big Finish website in either download or CD collectors edition.
Philip Edney
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